Yoshida Shoin (1830-1858)

Early years (1830-1847) | Later years (1848-1858) | His political views
Letters and Writings
| Link to the Shoin Jinja | "Portrait"

 

Later years (1848-1858)

From February 1848, he held several offices at the castle of the daimyo and he became for the first time an independent teacher of the Meirikan.

On October 31st of that year, he presented an ikensho in which he described his views of the reform of the Meirinkan (or rather, its reestablishment) and his own personal views regarding punishments, rewards, rules for the school, etiquette, how the examinations and elections should be held, etc. [Generally, the boys entered these schools when they were nine years old. The first three years were for learning by heart of texts. At the 13th year they memorized texts were explained. In addition, four years were spent in learning etiquette (10-14) and in calligraphy. At their thirteenth year, the boys started to learn archery. From their fifteenth year, more time was spent with the study of the Chinese classics. After their sixteenth year, tuition in groups came to an end and private tuition begain. At 18, the young samurais started a special study under the guidance of a specialist. This went on generally until their 22nd year after which time they were free to continue or to leave off.]

Shoin in his ikensho advocated the promotion of military and literary science.

He obtained the post of a regular teacher at the Meirinkan when he was 18 years old, but traveled extensively. At 20, he traveled to Kyushu and at 21, to Edo. He documented these travels in his Saiyu Nikki and Toyo Nikki. He traveled a year later (age 22?) with his two soldier friends Miyabe and Ebata to the North, where he came into contact with scholars of the Mito school.

On April 10, 1849, he wrote Suiriku Senryaku (Scheme for War on Land and Sea) and presented it to defence authorities. July 5th, wrote Hayama SAnai at HIrado, asking to be accepted as pupil. Nov 27, presents to clan officials a copy of his Taisaku Ichido (counter measures). He also composed this year, Kaiho Kiryaku (Resume of the Travels round the Bays), Keikogoto Hikae (Notes Concerning the Exercises), Meirinkan Hikae (Notes Regarding the Meirinkan)

On November 1st, 1850, he left Hagi, traveled through Kyushu -- returning January 31st 1851. (Traveled through Kogura, Saga, Omura, Nagasaki, HIrado, Amakusa, Shimabara, Kumamoto, Yanagawa, and Kurume.) Read many Chinese books and in Nagasaki learned Chinese from an interpreter called Cheng Kan-chieh and visited the houses of the Chinese and Dutch. In Kumamoto he called often on Miyabe Teizo. In Saga, he visited Kusaba Heisen and Taketomi Inan.

His works during this year included Saiyu Nikki (Diary of the Journey to the West), Finin Funko (poems), Joran HIkae (Notes Regarding Imperial Inspection), and Kojiki (Chronicle of Public Affairs.)

In 1851, he lectured on Sun-tzu before the Daimyo March 15th. On 5/28 he visited Edo. Hiraoka Yasube taught Shoin the art of fencing. Shoin acquaints himself further with Toriyama, Shinzaburo, Miyabe Teizo, Nagahara Takeshi and Saito Shintaro. He visited Kamakura with Miyaba Teizo.

On 1/11/1852, he arrived in Mito and went to Nagai Masasuke, leaving ten days later with Miyabe. He wrote Toyu Nikki (Diary of the Journey to the East), Bukyo znesho Kosho (Explanation o the Bukyo znesho), and Kanotoi Nikki (Kanotoi Diary).

On January 19, 1853 Shoin loses his income and samurai title. He arrives in Edo in July via the Nakasendo (one of two major highways). At the end of this year he tried (with the help of Sakuma Shozan) to board a Russian ship, but when he arrived at Nagasaki, the ships had already left. He resolved still to try to go abroad. On the evening of 25th of April, he went aboard an American ship.

He attempted five times to make plans to board the ships of Perry (at Shimoda) and failed. When a part of Americans had gone out, Shoin and his friend Kaneko attempted to approach and speak with the American officers.

A letter was handed to the officers (before Shoin and his companion ran off), and the translation made by Williams, the interpreter of the American Squadron.

Apparently the letter was revised and corrected by Sakuma Shozan. Shoin signed under the name of “Kwa no Uchi Manji” and Kaneko under “Ichigi Kota)

Shoin and Kaneko did successfully meet Perry. “When the Commodore learned the purpose of their visit, he told them, through the interpreter that they first needed permission from their Government. Shoin and Kaneko were greatly disturbed by this answer and explained that if they returned to the land, they would lose their heads.”

This failure was the beginning of the end.

His last waka “That the country of my Ruler may enjoy peace, I would gladly give my life away.” (Written when he left Hagi for the last time on his final Edo journey.”

*Kakemakumo
Kimi ga Kuni koso
Yasukereba
Mi wo sutsuru koso
Shizu ga hoi nare


The two men were interred and recognized by the Americans a few days later, sitting in a cage.

Shoin wrote the following on a board.

“When a hero fails in his purpose his acts are then regarded as those of a villain and a robber. In public we have been seized and pinioned and caged for many days. The village elders and headmen treat us disdainfully, their oppressions being grievous indeed. Therefore looking up while yet we have nothing wherewith to reproach ourselves, it msut now be seen whether a hero will prove himself to be one indeed. Regarding the liberyty of going through the sixty States as not enough for our desires, we wished to make the circuit of the five great continents. This was our hearts’ wish for a long time. Suddenly our plans are defeated, and we find ourselves in a half-sized house, where eating, resting, sitting, and sleeping are difficult; how can we find our exit from this place? Weeping we seem as fools; laughing as rogues. Alas! For us; silent we can only be.”


Perry did attempt to intercede and “received assurances from the authorities that he need not apprehend a serious termination.” (Hawks.)

From this point forward, a whole series of imprisonments begin.

On May 12, 1854 Shoin was taken to Demmacho prison in Edo for 150 days. The Bakufu ordered his imprisonment be changed into confinement in the house of his daimyo at Azabu (Edo). From there, Shoin and Kaneko were sent to Hagi, where they arrived December 14. Shoin went to Noyama prison and Kaneko to Iwakura.

December 21st, he wrote Niju ikkai Moshi Setsu (The Opinion of the 12 times audacious Samurai), Yushu Roku (Record of an imprisonment), and Kaiko Roku (Record of the past)

On March 1, 1855 Kaneko died. Shoin composes a poem, takes the name Muitsu and composes the 7 Rules of a Samurai.

Within a year he was allowed to change prison for confinement in the house of the Sugi’s. While in prison, he had started to teach his coprisoners. During his confinement, he taught the children of the neighborhood as well. At first—in secret, later openly. (He taught the pupils of his uncle in a neighboring house, which later took on the name of Shoka Sonjuku.)

In 1857, Shoin was permitted by daimyo to take over the private school of his uncle Tamaki, the Sonjuku. (The time of his teaching did not last longer than two and a half years). At this time, there were 20 pupils.

In 1858, he wrote “Kyofu no Gen” (Words of a Fool) and an ikesnho on the development of Takeshima and handed it to Kusaka Genzui in order that it might be conveyed to Katsura Kogoro in Edo. Shoin continued to write many works, two of which were presented to daimyo officials who then granted him permission to teach pupils the Kagaku. (Sonjuku to date had received a stern military training, and from henceforth they focused their attention on artillery.)

On December 11th, Shoin decided with 17 partisans to attack and kill Manobe Norikatsu. [*It appears that this is under some contention historically as the records of the Bakufu were unclear. However the author believes that the Bakufu was not unjustified in their actions. Yoshida Shoin had repeated plotted against the Shogunate, inciting his pupils to take action, but in particular he was ‘auctor intellectualis’ of a conspiracy to kill the member of the Shogunal Council Manobe Norikatsu, who was the right hand of Ii Naosuke (Prime Minister of the Shogunate). Manobe had been sent to Kyoto by Naosuke in order to imprison several kuges and samurais.]

On May 21st, 1859, by order of the Bakufu, he was ordered to Edo after his plot to kill Manobe Norikatsu was discovered by Shogunal police. And there he was condemned to death.

June 14th, his disciples came to the Noyama prison to say their goodbyes. On June 24, he was permitted to go home to take leave of his parents.

Before his final journey Shoin was allowed to pass his last night at home. He composed his Kakemakumo for his foster mother as a remembrance. Before climbing into the sedan chair he spoke to his assembled students to never forget his lessons. His principal students followed at a distance till they came to a place Namidamatsu, “pinetree of tears.”

Shoin composed another waka.

“This is the journey, I presume, from which I shall never return.
We all drenched here, at the pinetree of tears.”

He wrote his Ruishoshu (“Collection of the pinetree of tears”) during this journey to Edo and also wrote to his parents a poem.

“The heart of a child that thinks of its parents, is surpassed by parental affection.
How will they receive today’s news?”

The news he referred to was his condemnation of death.

He also took guilt to himself for the situation. “Because my knowledge was too superficial and my sincerity not enough to move heaven and earth, therefore it has come thus far.”

During his final days he wrote his well known Ryukon roku. He ends with this waka: “In this world, I have nothing else to do save wait for the voice that will summon me.”

When it was over his pupils Iida Seihaku (a Choshu physician), Odera Shinnojo, Katsura Kogoro and Ito Toshisuke* came to take the body, a request which was refused. Three days later they were allowed to approach the body and cover it with new clothes and buried it in the Shimoyashiki grounds of the Ekoin cemetery in Edo.

"Ito and his new master Kido, set foot in Edo… together with Iida… attended to the reparations of his burial. Kido first disrobed himself and with the juban, or innermost garment which he wore, wrapped the lifeless form that once contained Shoin’s animating spirit. Then Iida who followed next, coverted it with his own shitagi, or mid-garment of black silk. Over all this Ito placed his own silken sash, the obi, to complete the ceremonial robes of the deceased. Thus clothed, Shoin’s remains were placed in a casket and lowered into his tomb close to the graves of other distinguished royalists whose spirits had preceded this. It was a sorrowful moment for the youthful Ito. It filled him with an added sense of the tyranny of the Shogun’s Government, with the ever increasing spirit of revolt against this tyranny which animated the faithful followers of the Emperor.” [Prince Ito by Kengi Hamada, 22-23]

Four years later, in 1863, the body was taken and buried in the Setagay cemetery where it lies still.

The majority of this information is taken from the following work:
Yoshida Shoin
Forerunner of the Meiji Restoration: A biographical study
H. Van Straelen S.V.D., Ph.D.
Professor at Nanzan University, Nagoya
Published by Leiden, E.J. Brill, Netherlands. 1952